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Lunada Bay expands tile selections

Lunada Bay Tile previewed three new collections at Coverings: Origami Field, Watercolors and Luce,  with expanded selections of colors and patterns.  Concise summaries are below, with more detailed information in the links.

Origami Field collection of glass field tiles reflect the iconic Japanese art of geometric paper folding. Featuring opalescent coloring and three-dimensional shapes, the distinctive glass tile designs play with light and shadow:https://lunadabaytile.duehrandassociates.com/origami-field-coverings18/

Origami Field

 

 

 

 

 

 

 

 

 

 

 

Watercolors ceramic tile collection emulates the artists’ techniques of history’s greatest watercolor painters by playing with opacity and transparency and reflecting the subtle color variations of the original artworks:https://lunadabaytile.duehrandassociates.com/watercolors-coverings18/

Watercolors

 

 

 

 

 

 

 

 

 

 

 

LUCE glass mosaic tile collections’ semi-opaque glass features 3 new playful forms –Fin, Clipper, and Hex—that shimmer in the light, much like the sun glittering across moving water. https://lunadabaytile.duehrandassociates.com/luce-collection-coverings18/

Luce

Contractors get creative with green solutions

Recycling options can benefit homeowners, contractors, and community members as well as the earth

With this issue addressing issues of sustainability, environmental friendliness and recycling, we turn to a couple of contractors to see what might be percolating in the green arena for them. 

Nadine Edelstein, owner of NTCA member Tile Design by Edelstein located in Vashon, Wash., addresses the recycling issue with a program she’s dubbed, “No Tile Left Behind.” Edelstein said, “It’s enabled me to pull a LOT of material out of the waste stream, and then I am able to make creative spaces for clients with it. I don’t charge them for the material, but they pay me to design with it.”

Edelstein’s original hex concept made from her No Tile Left Behind program.

Edelstein was asked to create a feature wall for a new local salon and used No Tile Left Behind material to create it.

“I was thrilled when I found out that the branding was around the concept of the hive,” she said. “Several years earlier I had created a concept wall for a local group tile show. I cut kite shaped tiles from tile and stone (from No Tile Left Behind) and arranged them into a dimensional wall of hexagons for the show’s entry. Of course I saved all the tiles and hoped I would find an imaginative client. 

“Then along came The Hive! I had to tweak the color palette and add some more pieces but I was finally able to give the piece a place in the real world,” she said.

The wall Edelstein created for The Hive salon, using “waste” material.

Another recent No Tile Left Behind project was a shower for a previous client of Edelstein. “I was able to utilize glass, ceramic, and porcelain in a blue/green color palette to create a large scale mosaic for their master bathroom remodel,” she said.

“Fortunately, I have a large studio,” she said. “So I am able to store the rescued tile and stone until I can find them a new home.”

Another “Green” perspective

Another “green” perspective on recycling comes from appropriately named NTCA member Phil Green, owner of PGC Construction, Remodeling and Design in Gilberts, Ill. He’s also the creative genius behind the “Back Butter Buddy” tool, a tile-centric Lazy Susan that sits atop a bucket and allows large tiles to be turned more ergonomically. He’s putting his innovative mind to work on the recycling issue and he’s outspoken about the need for novel solutions. 

Glass, ceramic and porcelain from Edelstein’s No Tile Left Behind tiles created this stunning shower.

“We in the tile/remodeling industry generate a fair amount of waste materials during the course of our projects. Even the cartons and bags from our tile and thinset become something that we need to deal with,” he said.

“As the planet gets more and more cluttered with debris from a ‘disposable-minded’ society we NEED, MUST, ABSOLUTELY HAVE TO do our personal fair share to chip in and become part of the solution. Many programs already exist, and new ones are on the horizon that look for alternatives to bagging and shipping everything to the dump.”

Green detailed  a few things that his company has chosen to do to help: “When we demo a kitchen or bath we do it in such a way as to not damage the reusable products from the project,” he said. “Sure, sledge hammers work, but they are just to add drama on the DIY/HGTV shows. We take cabinets, countertops, faucets, light fixtures, doors, and even old paint to our local Habitat for Humanity Restore. For any valuable products, I fill out a donation sheet and give it to my homeowners as a tax write off. They appreciate it and it means less in the landfill. Win, win!”

Cuts and broken tiles are the perfect materials for mosaic projects.

Cuts and broken tiles make excellent materials for mosaic projects, Green has discovered. “I love the look of mosaic designs, and once again the tile gets a new life and is not buried in some hill,” he said.

“I would suspect most towns have a recycling program along with their normal garbage pick-up,” he added “I try to bring cardboard and plastic home to be disposed of in my personal container. I am also lucky enough that I can have an open burn pit at my home. I take paper and wood products home and burn them there. If I get any metal from my jobsite – other than copper and aluminum – I bring that home too, separate it from my normal waste and set it aside. I know that the ‘scrapper’ will drive along on garbage pick-up day, and if I can help him make a couple of extra pennies, I do. 

“Every town also has a recycling drop-off center for scrap materials such as copper and aluminum,” he said. “I accumulate these metals and make the trip, even if just for gas money, but I know these products too will be melted down and be reborn.”

Green knows this isn’t an exhaustive list of solutions, but it’s a start for contractors who want to be earth-conscious. “That is my GREEN perspective,” he said. “I guess I’ve always been Green without realizing it.”

Lasting art installations help transform new Northern California Children’s Hospital

Gary Drostle, uses LATICRETE products to adorn floor in Lucile Packard Children’s Hospital Stanford

After more than a decade in the making, Lucile Packard Children’s Hospital Stanford recently opened the doors to its new state-of-the-art building. At 521,000 sq. ft. (48,402 sm), the new building depicts California’s diverse ecosystem and natural beauty, with each floor representing a native eco-region. 

In a press release announcing the opening, the hospital describes the new 149-bed facility as being designed to transform the patient and family experience through nature and play. Its founder, the late Lucile Salter Packard was a known advocate for treating both the patient and their family, not just the illness. With this in mind, lead architect Robin Guenther, a principal with the architectural firm Perkins + Will in association with Hammel, Green and Abrahamson, Inc. and Mazzetti, set out to fulfill Packard’s vision by designing one of the country’s most sustainable children’s hospitals.

The new 149-bed facility as being designed to transform the patient and family experience through nature and play.

To bring to life two mosaic tile themes representative of California’s seashore and the Redwood Forest, international award-winning mosaic artist Gary Drostle and his company, UK-based Drostle Public Arts, created and installed 19 hand-cut mosaics using Winckelman Unglazed Porcelain, a set of bronze medallions and 700 hand-cast glass leaves to be set in a specially-designed terrazzo floor. After nearly two years of craftsmanship, Drostle’s designs were installed in the ground floor lobby area of the hospital and first-floor central corridor using LATICRETE® products.

International award-winning mosaic artist Gary Drostle and his company, UK-based Drostle Public Arts, created and installed 19 hand-cut mosaics using Winckelman Unglazed Porcelain, a set of bronze medallions and 700 hand-cast glass leaves to be set in a specially designed terrazzo floor.

“For each portion of our mosaic tile work, there was an appropriate LATICRETE product to ensure a lasting installation and bring the ‘wow’ factor with a pop of color in the grout,” Drostle said. “More importantly than that, each of the products chosen has received multiple certifications and declarations, including Health Product Declarations (HPD), Environmental Product Declarations (EPD) and UL GREENGUARD Gold Certifications for low chemical emissions for sustainable living. Over the years, our company has had great success using LATICRETE and their full range of quality products. We knew this time would be no different.” 

The new hospital features mosaic tile designs representative of California’s seashore and the Redwood Forest.

As the former president of the British Association for Modern Mosaic and a regular teacher and juror at the Society of American Mosaic Artists, Gary Drostle brought more than 30 years of experience of creating large-scale public mosaics for floors with him to the jobsite.

After nearly two years of craftsmanship, Drostle’s designs were installed in the ground floor lobby area of the hospital and first-floor central corridor using LATICRETE® products.

The challenges 

Installation
Interference
: Installing fine hand-cut mosaic is always a challenge due to the tolerance required in the setting of the work. To make this installation possible, Drostle and his team needed the specified LATICRETE products to deliver superb bond strength that would hold the adhesive bond between the mosaic sheet, while retaining a good open time for the slow and precise mosaic tile adjustments. 

Tight
Timeline
: The tile work for Lucile Packard Children’s Hospital Stanford needed to be completed speedily on a jobsite with many other contractors demanding the same workspace. Products used needed to be formulated with rapid-curing properties to meet efficient timelines.

Once on site to begin the mosaic panel installation, Drostle Public Arts’ installation crew applied NXT® Level, a cement-based underlayment for use in leveling interior substrates, on the ground floor lobby area and first-floor central corridor.

A LATICRETE solution: 

Once on site to begin the mosaic panel installation, Drostle Public Arts’ installation crew applied NXT® Level, a cement-based underlayment for use in leveling interior substrates, on the ground floor lobby area and first-floor central corridor. This product was selected to produce a flat, smooth and hard surface for the finished mosaic tile installation. Once cured, NXT Level is durable, fire- and heat-resistant, non-combustible, non-sensitive to moisture and maintenance-free, making it optimal for use in a healthcare facility. 

To adhere the 19 mosaic panels to their respective flooring areas, 254 Platinum was specified for its superior strength and bond.

To adhere the 19 mosaic panels to their respective flooring areas, 254 Platinum was specified for its superior strength and bond. Designed for a simple install, the one-step, polymer-fortified mortar only requires water for mixture and has a long open time for enhanced workability. 

PERMACOLOR® Select, an advanced high-performance cement grout that offers the industry’s first dispersible dry pigment solution, was used to grout all of the mosaic tile installations. With PERMACOLOR Select, Drostle Public Arts gained increased productivity and time savings on the jobsite, thanks to a faster time-to-grout and foot traffic permitted in as little as three hours. To add a pop of color, the team opted to use a PERMACOLOR Color Kit for a glossy Raven tint. 

PERMACOLOR® Select, an advanced high-performance cement grout that offers the industry’s first dispersible dry pigment solution, was used to grout all of the mosaic tile installations.

Outcome: 

“Dale Foster, the local LATICRETE representative, was invaluable to the success of this project. As an international team traveling in for the installation, Dale quickly became the ‘go-to guy’ for any technical or logistical inquiries,” added Drostle. “Dale was on hand for any issues and continuously supplied help as the job progressed.”

In April of this year, Lucile Packard Children’s Hospital Stanford announced that its new main building was awarded LEED Platinum status, the highest designation for sustainability recognized by the U.S. Green Building Council. Thanks to the architectural prowess of the Perkins + Will, Hammel, Green and Abrahamson, Inc. and Mazzetti team and leadership from the hospital, Lucile Packard Children’s Hospital Stanford is one of just five hospitals in the world – and only the second children’s hospital – to achieve LEED Platinum certification.

Lucile Packard Children’s Hospital Stanford is one of just five hospitals in the world — and only the second children’s hospital — to achieve LEED Platinum certification.

 

“For each portion of our mosaic tile work, there was an appropriate LATICRETE product to ensure a lasting installation and bring the ‘wow’ factor with a pop of color in the grout,” said mosaic artist Gary Drostle.